What Is a Gatekeeper?
Gatekeepers, lifetime actors, or controlled opposition, are terms we can use to tag people that are false friends in the public arena. Lenin said, the best way to deal with opposition is to control it. This is the idea behind the Hegelian Dialectic.
The best way to explain the Hegelian Dialectic, and or the Overton Window, is first to understand that Friedrich Hegel did not publicly promote the use of his ideas in this way, and only talked about its natural elements. Other dark forces have chosen to distort Hegel’s ideas even more to use in a dishonest way.
The Hegelian Dialectic – A Simple Example
To demonstrate a small example of how this dialectic is often used, by powerful state/private actors, let’s say a husband (father) and a wife (mother) want their immature son to study more. They talk in secret and conspire to trick their son into studying more. The father acts as the tough cop and demands the son study 5 or more hours every night. The mother acts as the nice cop and says 3 or less hours is enough. They stage endless arguments, resort to throwing things and even have a fake physical fight. They may even take fake steps towards a divorce, but may not need the full gambit of lies to succeed. The son becomes stressed and offers a compromise to do 4 hours a night. This chosen amount, by the suffering son, is the exact amount the twisted Machiavelli parents had originally wanted to trick their son into offering when they started.
Now imagine these bad parents never stopping this method, and use it for every issue the son does not easily submit to. They gradually move their son to doing their bidding as they use his goodwill against him. That is what the powers that shouldn’t be do day in and day out. I deliberately used the example of “doing homework,” as something many people can see as a good thing, so as to see bad methods to achieve a good goal does not make the actions good, or the old “ends justifies the means” speech. A lie in doing a bad deed is two sins, not one.
If you control both sides of any political issue, or all the narratives, a corrupt oligarchy can shift the population in the direction they want.
How Political Positions Are Manufactured and Moved
If you look into political positions of parties in the past you will find that the positions have been shifted unbelievable over more than a 100 years. The first liberals in England, for example, were for Christianity, a living wage, fair trade and other middle-class ideas that would put them squarely in the conservative camp today. The conservatives in England, at that time, were pro-imperialism, supportive of often London based British monopolies over other countries, and in addition even over their own commonwealth national industries like Canada, Australia etc. This is the long roots presently of Western Canadian alienation, as one could say buy a car for 1,000 dollars, in the past, 25 miles across the US border, but was against the law, and instead a western Canadian had to pay 3,000 dollars via the Imperialist monopolies system.
The oligarchy were also supportive of the British clandestine apparatus getting peoples about the world, that were obstacles to their designs, to fight with each other so British Imperialism could hold sway. The playing powers off against each other is likely the unwritten origin of the Hegelian Dialectic by the British oligarchy. This is a general theme that most citizens must come to deadly understanding, as these tools, that many that study history know of, have been used against enemy nations have been turned on their own populations with extreme prejudice for a long time. This biggest clear departure point was the land clearances in Britain and Ireland. Satan desires there to be no loyalty to God, nation, community and family.
The liberals of England were one of the first to be targeted by the oligarchy and so were separated from the working class by a new kind of socialism. This oligarchical financed one, led by Marx and the Fabian Society would distort the cause by splitting the Unions, Christian Charities and middle class from the totalitarian following working class. “Bourgeoise” means middle-class in French. So every time you hear this term in past leftist slogans and books you have to ask yourself, “why are they not attacking the oligarchy and imperialists back then, or even now?” They should have tried to sway the middle-class to their version of a workers paradise? The reason was the oligarchy wanted to split the workers from the middle-class back then, just as you see being done now with Wokism.
North American Conservatism has been shifting my whole life from ideas that would truly be called conservative to former socialist ideas. Whatever is a liberal position ‘now’, one can just wait anywhere from a year to 5 years and a conservative party person will be preaching the same leftist position as a phony conservative one. While the left will have likely moved on to a further extreme position that the right will poo-poo for now, and adopt later. Any time the population balks, they will just reorganize and try again in another way – when the strong feelings have subsided. So the anti-woke reaction will have to be sustained, as they will try again, in a new way, later. The goal is divide and conquer their own people.
This is what gatekeepers or lifetime actors help in doing, as people latch on to guru personalities that carry them along for the ride, and that ride is to global leftist technocracy in the long term.
The Squeaky Gate of Jordan Peterson
To corner Mr. Peterson down, or any gatekeeper, is a hard thing to do. They are built to be many things to many people. Like politicians they are often overly groomed in the right clothing of the time, which can be a baseball cap backwards for today. They will be negatively boosted in the leftist mainstream media (often giving them negative attention to allow them credo as a real bad ass conservative) after a short time as a supposed outsider. These gatekeepers are allowed to lecture without being questioned too much, and most of all, like Jordan, rattle off ideas very quickly so that you are not sure they are for your positions or not. People then attach themselves to a popular talking head because of more shallow reasons and or their simple feelings.
Jordan is said by the MSM to be a moderate intellectual libertarian, as he pretends to stand up against the people you really do not like. He has been easing into being a Christian lately, after the Overton Window met a conservative roadblock, and has gone to the Wailing Wall already, and so we must peg this threat, and use it to peg any future turncoats and new gurus that arise.
Jordan’s Disney Detour
One can look to his work done for the United Nations if you want a simple answer for his supporters. Yet I have a YouTube link (down below) showing Jordan P. giving a class on the Disney Cartoon Pinocchio at the University of Toronto (the Varsity Blues). In it, you can hear his positions clearly, unlike his usual media presentations, where his pace and topics change, all too quickly, for one to effectively critique them for the more casual listeners, or people who have a busy life.
I have read the original book/articles of Pinocchio, though it has had several adjustments and expansions in the past, all before Disney got its dirty little mouse paws on it to make its cartoon version of the classic, or its much more recent Tom Hanks animation version. There is a lot of criticism we could go over, but we must stay focused on the underlying agenda in the clearly stated Peterson class presentation.
What the Original Story Actually Means
I will give you the original esoteric meaning of the book, and then you can compare it to what Peterson asserts. The original books were said to have been written by Carlo Lorenzini (a Freemason), and at that time the Masons were still said to be Christian?, or at least as much as they would ever be as they long stopped faking to be any shade of a traditional or moral one. Masons started to be fully compromised and controlled in 1717 with the creation of the Grand Lodge of London, and are fully part of what is going on in bringing about the NWO. Regardless of these facts the original Pinocchio story was a warning to children and country folk to the new industrial urban life. These original efforts had many more good insights and esoteric meanings that one can still appreciate today.
Pinocchio, as you know, was born a puppet and it is the major theme of his story as to when he becomes a real boy? Although Pinocchio has no visual strings, and sings a song I have no strings to hold me (him) down in the Disney version, the question is; has he really escaped them? The real facts are he does have strings that anyone can see, if they can see beyond the surface. The strings that control him are his “emotions.”
Pinocchio sells his schoolbooks, that poor Geppetto gave up his only coat to buy, for a ticket to watch a show, and watches a puppet show instead of going to school. Punch and Judy was an early form of a puppet show that we can see many a version of in cartoons today, often filled with a lot of hitting and emotional outbursts. Even Bart Simpson has such a show he watches, which is a reflection of the endless versions that the system has for our children to watch, on the way to having the attention span of a gnat. They represented immature entertainment for its time. The unfortunate situation is Pinocchio does not go to a traditional school and so follows his emotions for non-stop fun and immediate gratification. In the original newspaper series he hangs out with other boys (a gang) that smoke, do small petty crimes and more.
Escapism then, as it is now, floats at its height in the virtual Internet world of today, with people becoming addicted to gaming and many preferring it to the real world. In fact, the stronger a gamer is in the fake world, the lesser – on the whole – this person will be strong in some way in the real world. When Pinocchio goes to playland, where the boys can play all day, they turn into donkeys and become slaves, and are bought and sold. To be an ass is another word for being a donkey, but is also said to be a symbol of the devil in some religions in antiquity. The author points out here those boys and girls that fail to mature will end up being an ass or fool and a slave.
The Fox, the Cat, and the Art of False Friends
Pinocchio keeps hanging out with some bad characters all the time, but the worst of all are the fox and a cat. Foxes and weasels historically have been a reference for dishonesty and cunning. In my book I go into details of the Fox vs. Lion personality types. In this story the fox and cat have names of Honest John and Gideon, and so one is supposed to learn the lesson of not trusting someone via words or names, as Honest John is not honest and the cat is not like the Gideon of the Bible.
Today we have countless inversions of the meaning of names, like the Department of Defense, which used to be called the Department of War etc. The fox and cat also pretend to be injured and so one needs to be careful on who one pities. Funds for disasters and charity have been known to go to rich people, but few donors bother to check the organization in much detail that they give money to, and simply trust their ads of suffering people on the screen. Their good desire to help people is used by con artists. We must be wise when we try to do good, or you will help Satan on your ride to feeling good about your gift to help – that carries no investigation. Wanting simple solutions is like wanting the simple theology of the Protestants, and with every growing day that of the Catholics.
Some who see the role of Disney today might have noticed that the symbol of a mouse was a way to set people’s fears aside (cheese for the mousetrap), and so allow people to be lured into the magic kingdom, as the old witch lured Hansel and Gretel into a house of sweets and cakes. There are now lots of cases and issues of abusing children in the Disney company, that you can find by Internet searches.
Later Pinocchio falls for another desire to be famous, and joins an entertainment show where he is then locked up in a cage, and is used and abused. So even in the 1800s the idea of the entertainment industry being a place where abuse and corruption was well known. In the 1930s and 1940s in the USA it was considered a scandal for one family member to be working in Hollywood, as it was well known that it was a place of very low morals. Still young people continue to flock to places like Hollywood with dreams of their being special, or having too much blind ambition – generation after generation. Many such precocious youth have been encouraged by others when they were young and cute, but fail to see what they are walking into, at the very least, a very jaded and demented Hollywood culture. In fact we can now say it is demonic, with movies like “Eyes Wide Shut,” showing one must give up ones children to belong, as was done to Moloch around the Mediterranean in biblical times.
What Peterson Leaves Out
Jordan Peterson covers the Pinocchio cartoon’s character Cricket very well, but leaves out some important aspects in his class. Traditionally thoughtful people have presented the theme of having an angel on one shoulder and a devil on the other, as they are of two minds when they make decisions with temptations. The Cricket is the good angel conscious, but where is the devil on Pinocchio’s shoulder? The devil is in Pinocchio’s following of bad emotions. He is not a real boy in that he does not even consider the bad advice as coming from the devil. There is often very little thought in the base emotions, and they are really crass desires, and so it is a choice between a conscious soul, and a lack of one.
In the early newspaper Pinocchio versions of the story at the time, Pinocchio kills both his Cricket and his father and goes on his merry evil way. He throws a hammer at the Cricket, that he is not really trying to hit, but by mistake kills him, thus showing that horsing around can lead to tragedy. My uncle lost an eye playing cowboys and Indians with real arrows in his youth. He could have saved the eye if he saw or learned such a lesson from the original story in modern form or animation.
Lying is of course centered on one’s nose growing in the story, and denotes the tendency of dishonest people to stick their noses into others business. To be nosey, is to be interested in the use of gossip and information that is not for you. Like the Ferengis in Star Trek who have big ears or lobs, and lie like breathing. Yet it is just another way to follow one’s emotions.
In Disney’s cartoon and Jordan’s class most of these moral issues are skirted or left out completely of the narrative (dramatic silence). Are these lessons not worth learning too? Do they not want to honor the original author and his intentions and morality? We now have this distortion, or artistic license, in our culture which allows for a new story to ride on the back of a popular author’s story and take the story in a completely new direction. These producers and directors could just get someone to make their new story and try and sell the book or movie on its own merits, but these people are lazy and selfish, like the very characters in Pinocchio.
The Whale, the Bible, and the Theft of Sacred Symbolism
Pinocchio’s religious and emotional angles are instead supplanted by Mr. Peterson via the use of Carl Jung and his insights. Freud’s motivation is clearly shown in his inversion of the classical way to teach youth to overcome their emotions, to be the best kind of man, as I will cover in more detail in a later article. Jung has been clearly connected to ideas that are also weakly defined and tied to secret societies. Both Freud and Jung turn dreams into very loosely supported architypes, with zero empirical evidence, and Jung’s lifestyle was very decadent as well as Freud’s. Jordan Peterson often digresses into the Pagan gods, through Freud and Jung, and has covered the mother goddesses in the past as well. From vague theories to even vaguer theories one is carried as you are meant to follow these personalities as new gurus.
Disney has changed the story in some very odd ways too, and this has Jordan taking this and running with it in other directions that the original story was not meant to take us. This can also be seen in many movies’ series today, such as Lord of the Rings, Star Wars and Star Trek where the story is now distorted for many politically correct agendas. This is not new and has gone on for a very long time in Hollywood. Each step along the way in this agenda has the integrity of any literature distorted to meet some immediate goals of the oligarchy. They will even undo their own work to rearrange it for the newer goal.
The clearest example of the distortion of the story by Disney and Peterson is when the cartoon story covers how Pinocchio’s step-father and Pinocchio are swallowed by the whale. This is clearly a reference to Job and Jonah being swallowed by the whale in the bible. The whale does not represent the earth or god, as Jordan states in his class, but Hell. It is a representation of Jesus 3 days and 3 nights when he goes to hell. Jonah escapes through prayer and insight, and not through fire. In the old original story the Dogfish (shark) has asthma, and they make it sneeze and escape. In the Disney version Pinocchio’s fire is a reference to the secret society’s love of Prometheus, who gave fire to humans and was punished by the god Zeus for this deed. This is why the whale is angry after they escape in the cartoon, and the whale is turned into the Christian God instead of Zeus by Jordan. Pinocchio has been turned into a Prometheus architype and Jordan plays him seeking the false heroes’ quest. In some of the Disney’s children’s book series the whale has been removed all together.
The Blue Fairy, Holy Mary, and What Pinocchio Actually Needs
Instead of a boy learning to control his emotions and working hard to help those he should love, it is Jordan’s assertion of a more selfish quest by Pinocchio to become a hero, after being really a villain who is hurt by worse villains. Pinocchio cannot be a hero until he has become a boy (have some control of emotions) and then later a man (conquering fear, vices and submitting to the true Orthodox God). He has become a boy at the end of the story and is no longer an ass (animal or demon).
Jordan’s reference to the ‘heroes’ journey’ is a hollow one, as helping his step-father after hurting him does not make him a hero. The journey is to being a man, and not being ruled by one’s emotions. To use one’s intelligence can only be done through deep thought, reading wise elders and that is often a way of prayer for many people. Stopping and thinking and having a good angel, or good conscious, is what makes you become a good man (or good woman) and find truth, not through following your emotions, ignoring your wise elders and their wise books, and not liking it when they bug you with wise council – like the Cricket does.
The blue fairy is meant to be a loving mother figure, like Holy Mary, who has faith in Pinocchio so that he will one day become a good boy, like a good mother often kindly does – though some boys and girls never do turn good due to their will and pride. Pinocchio has no official real mother or real father, and so a good mother and father make a good boy, and not gangs of young men or women out to be dramatic heroes or heroines on the public stage, as they want everything to be fun all the time.
Conclusion: A Cartoon of a Man
So, in summation Jordan Peterson is further distorting the story, as Disney did. Why not cover the original story or one of the many early versions of it? Peterson chooses Disney, for Disney has the most hidden occult themes wrapped up in it. Disney movies do not warn children of the truly dangerous world, as the original Pinocchio story does, but teaches girls to be princesses and boys to be worshippers of princesses (rooted in the old pagan religion at the most primitive). This is evil archaic-revivalism.
Boys following lustful emotions under the difficult love ideal is problematic, when they do not know of either very well. Like teaching sex-ed in school to children that do not know about such things will only speed things up before they are ready. This is why drag queens are teaching the young so early about things that will corrupt them, as the oligarchy know that if the young have many sexual partners in their youth, they will grow up to be unable to have long lasting relationships with one lover and then a family. Depopulation is the agenda of the oligarchy in so many different ways.
Peterson is a lifetime actor and gatekeeper to what remains of the Neo-conservative movement. His job is to bring the latest generation into the fold of the latest leftward shift agenda. That agenda is transhumanism, guru leaders and Freudian spiritualism and a new libertarianism that allows for the oligopolies to get corrupt corporate wealthfare, and small businesses to get the dog-eat-dog free enterprise – and government regulation designed to make smaller and medium business unable to meet the endless rules and laws. Thus, bankrupting the most people.
Mr. Peterson has shifted his positions often over the years, seldom if ever due to an older clearer author that listeners can then go and read about themselves – as Jung is not morally clear. Guru gatekeepers prefer to keep their flock centered on themselves, like in a cult and so will not push old books on morals.
Jordan is a kind of pied piper, and he will get you to make your bed, as you never see the medium picture or the big picture that he is very unclear most of the time about, as you prefer to think he is on your side, and not the side of the oligarchies. I would point out Jordan’s nervous breakdown was meant to gather sympathy, as it has been accompanied by a shift to being more pro-Christian. This is like that recent Instagram Girl that played the victim, who turned to a fashionable Christianity to clean her past away, who immediately wants to lecture us on what it is to be a Christian. Jordan may want forgiveness in the future, but as James shows Christianity demands a real change of the heart.
Mr. Peterson has a long nose, Ferengi lobes and a voice like Kermit the frog. In this case the visual matches the mental, as Peterson is a cartoon of a man and is having his strings pulled in his quest to be famous and wealthy.
Bless the Christian Orthodox Church.